It’s midsummer in Wyoming, and Alexandra Fuller is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober, and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then, her 21-year-old son, Fi, dies suddenly in his sleep. Alexandra is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole.

Barbara Walters was a force from the time TV was exploding on the American scene in the 1960s to its waning dominance in a new world of competition from streaming services and social media half a century later. In THE RULEBREAKER, Susan Page conducts 150 interviews and extensive archival research to discover that Walters was driven to keep herself and her family afloat after her mercurial and famous impresario father attempted suicide. But she never lost the fear of an impending catastrophe, which is what led her to ask for things no woman had ever asked for before, to ignore the rules of misogynistic culture, to outcompete her most ferocious competitors, and to protect her complicated marriages and love life from scrutiny.

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, who recently has returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of ADVENTURES OF HUCKLEBERRY FINN remain in place, Jim’s agency, intelligence and compassion are shown in a radically new light.

The idea for Britain’s first female rock band, The Liverbirds, started one evening in 1962, when 16-year-old Mary McGlory saw The Beatles play live at The Cavern Club in Liverpool. Then and there, she decided she was going to be just like them --- and be the first girl to do it. Joining ranks in 1963 with three other working-class girls from Liverpool --- drummer Sylvia Saunders and guitarists Valerie Gell and Pamela Birch --- The Liverbirds went on to tour alongside the Rolling Stones, the Kinks and Chuck Berry, and were on track to hit international stardom. That is, until life intervened, and the group was forced to disband just five years after forming in 1968. Now, Mary and Sylvia, the band’s two surviving members, are ready to tell their stories.

TJ Devlin is the charming disappointment in the prominent Devlin family, all of whom are lawyers at their highly successful firm --- except him. After a stint in prison and rehab for alcoholism, TJ can’t get hired anywhere except at the firm, in a make-work job with the title of investigator. But one night, TJ’s world turns upside down after his older brother, John, confesses that he murdered one of their clients, an accountant he’d confronted with proof of embezzlement. It seems impossible coming from John, the firstborn son and Most Valuable Devlin. TJ plunges into the investigation, seizing the chance to prove his worth and save his brother. But in no time, TJ and John find themselves entangled in a lethal web of deception and murder. TJ will fight to save his family, but what he learns might break them first.

Best known for playing loner rebel Dylan McKay on “Beverly Hills 90210,” Luke Perry was 52 years old when he died of a stroke in 2019. There have been other deaths of ’90s stars, but this one hit different. Gen X was reminded of their own inescapable mortality and robbed of an exciting career resurgence for one of their most cherished icons --- with recent roles in the hit series “Riverdale” and Quentin Tarantino’s Once Upon a Time in Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture. In A GOOD BAD BOY, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers.

In the wake of the attack on Pearl Harbor in December 1941, Dorothy Thom joins the Women’s Army Corps. Women from all levels of society work together to navigate a military segregated by race and gender. In early 1945, Dorothy and 800 African American WACs cross the turbulent North Atlantic to their post in England. Their orders are to process the mail sent to GIs from their loved ones back home. They arrive to find mail stockpiled for over two years in warehouses and airplane hangars. Many pieces are in poor condition, and the names are illegible. In England and France, the WACs traverse a landscape of unimagined possibilities. With their outlooks changed forever, they return to the United States as the catalysts for change in America and build lives that transcend anything their ancestors ever dreamed of.

She was born Lula Carson Smith in Columbus, Georgia. Her dream was to become a concert pianist, though she’d been writing since she was 16, and the influence of music was evident throughout her work. At 20, she married Reeves McCullers, a fellow southerner, ex-soldier and aspiring writer. They had a fraught, tumultuous marriage lasting 12 years and ending with his suicide in 1953. Her first novel, THE HEART IS A LONELY HUNTER, was published in 1940 when she was 23. Overnight, Carson McCullers became the most widely talked about writer of the time. With unprecedented access to the cache of materials that has surfaced in the past decade, Mary Dearborn gives us the first full picture of this brilliant, complex artist who was decades ahead of her time, a writer who understood --- and captured --- the heart and longing of the outcast.

WITCHCRAFT is a dramatic journey through 13 witch trials across history, some famous --- like the Salem witch trials --- and some lesser-known: on Vardø island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country’s last witch trial, where a young woman was pitted against her confessor and cult leader; in Pennsylvania in 1929, where a magical healer was labelled a “witch”; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft became feared, decriminalized, reimagined and eventually reframed as gendered persecution, WITCHCRAFT takes on the intersections between gender and power, indigenous spirituality and colonial rule, and political conspiracy and individual resistance.

Andy loves Jen. Jen loved Andy. And he can't work out why she stopped. Now he is without a home, waiting for his stand-up career to take off, and wondering why everyone else around him seems to have grown up while he wasn't looking. Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend's side of the story.