In Dublin, as the 18th century nears its end, a young musical virtuoso comes of age. John Field is preternaturally gifted, and his family has visions of him becoming the next Mozart. His talent eventually takes him to Russia, where he becomes a famous pianist and composes dreamy, languorous melodies that enchant the night air. John calls them nocturnes, but the prodigy who immortalizes them is Chopin. Oceans away in Pondicherry, in French India, Adelaide Percheron is raised by her imperious, enterprising grandmother. Her cousins give her the name Percherette, an impish reminder that she is not one of the crowd. Without a connection to aristocracy or the luxury of riches, only marriage seems to offer prosperity --- until she sets her sights on a pianoforte.

Three years ago, Wolo’s wife was killed in a tragic car accident. In the face of a loss that seemed insurmountable, Wolo has slowly rebuilt a semblance of a life. But then a letter arrives one day that threatens to upend his life once again. It is from Victoria, the woman who was behind the wheel that terrible day. Wolo’s family pastor tells him the letter is the work of the devil, and his mother expressly forbids him from making further mention of it. Wolo ponders it for days and ultimately agrees to meet with the woman who killed his wife. When he does, the compassion and deep remorse of the woman affects him in ways he had never imagined, and he begins to wonder if the long road to healing can be shared. 

For more than half a century, Paul Theroux has traveled the globe and chronicled its far corners with curiosity, wit and an unflinching eye. With TRUE NORTH, he turns that eye to a country that has long been his quiet neighbor: Canada. What begins as the completion of a North American road trip trilogy becomes something more personal. Theroux meets his Quebcois friends and relations, then travels more widely through remote villages, multicultural cities and sweeping landscapes that have defined modern Canada. Along the way, he speaks with farmers, refugees, writers like John Irving and Michael Ondaatje, and Indigenous leaders such as Tanya Talaga, listening as Canadians reckon with identity, belonging and patriotism.

In this new collection of genre-defying stories by Cristina Rivera Garza, a woman visits what she thinks could be her old lover's hometown after being abandoned by her years earlier. Two herons hitchhike across Mexico. A group of workers build a new home, only to see it destroyed by the state. With little baggage and much bravado, the characters in TERRESTRIAL hitchhike, migrate, take trains, wander or, at times, fly to survive the mandates of patriarchy and capitalism. On dusty roads or by a lake turned suddenly ominous, they remain in close contact with the earth's surface, sensing its wild promise and capacity for violence, its degradation and enduring beauty.

By the 1950s, Cambridge, Massachusetts feels far removed from the legendary witch trials that marked its early days as a colony. Ava, a bright young woman from a small town in Maine, arrives for her first year at Radcliffe College. There, she meets Lauren, and both are recruited by the Lilith Society, a secret organization of witches at Radcliffe dating back to colonial times. They form a close bond that is put to the test as they learn to navigate their new power, friendship and love. While Radcliffe seems like a safe haven, the shadow of McCarthyism looms large. And as girls from the Lilith Society begin to go missing, Ava and Lauren realize that the witch trials of the past may not be as deeply buried as they once believed.

In 1988, eight men in Kingston, Jamaica, begin rehearsals for a play. Though strangers to one another, they share an inescapable truth: All of them are gay. And they live in a world that refuses to accept them. One night, the men are savagely beaten, and one of them is killed. As their bodies heal, the survivors begin to face the hatred and contempt that the violence laid bare. Some try to ignore what happened. Others double down on retribution. Some disappear completely.

“Is home the place where we are born? Or is it the place where we die?” These questions haunt Magnolia, a successful Haitian American real estate agent in Miami. When she hears gunfire while at a shopping mall, she takes shelter in a nearby restaurant. Once she’s safely home, Magnolia keeps this traumatic event from everyone. But given her life back, she begins to see everything clearly: her extraordinary bond with her daughter, Zoë; her nearly broken relationship with Zoë’s father; the challenges of her mentally troubled mother; and her father’s affair with a woman who has borne him a child. While struggling through the labyrinth of her past, Magnolia also must come to terms with the losses sustained that life-altering day, and nearly every day by her parents and sibling in Haiti.

From the moment Aphrodite emerges fully formed from the sea, she is devastatingly beautiful and imbued with ancient power. When fate brings her face to face with Ares, she bristles at this surly, hot-tempered warrior who’s seemingly her opposite: disliked by everyone and devoted to stirring up conflict. Yet these gods are no more immune to the dizzying highs and lows of love and loss than anyone else. They are soon irresistibly drawn to one another. As their love affair spans mortal lifetimes, Aphrodite begins to question the gods’ games and her role in them. But there’s only so much room for fire and passion in Zeus’ kingdom. Before long, she must test her devotion to her own divine purpose --- and to a love that can only lead to ruin.

Mira Guhathakurta is a poetry editor at a distinguished literary magazine in New York, a dream job that has given her nearly everything she's always wanted. And then she reconnects with Jack from college, and suddenly she feels as if she might have found her soulmate. They've woven their lives together so thoroughly. All that remains is for Jack to meet her family: her beloved father and dear sister, Joy. But when Joy commits an unthinkable act of betrayal, the sisters are impossibly fractured and their father's heart is broken. As the sisters navigate their tumultuous relationship and Mira starts over, it turns out that Joy isn't the only one who has been --- or continues to be --- dishonest.

At the age of three, Michael Cunningham began obsessively collecting the names of things: oak, Chevrolet, finch, tulip, Tupperware. Each word rendered the world ever so slightly more understandable, more describable, kicking off a lifelong love affair with language --- one that would, eventually, maybe inevitably, lead him to become a writer. In UNSAYABLE, Cunningham’s memories spill forth, and with them reflections on the craft of writing. He is 15, in a swimming pool at night, gazing at the first boy he ever fell in love with. He is a new college graduate, setting off for nowhere in a Dodge Dart, hoping to pull meaning (and a novel) from the expanse of America. He is in an art gallery, unwittingly having the first in a lifetime of conversations with the man he would marry.