In September 2022, the unthinkable happened: 19-year-old American chess prodigy Hans Niemann defeated world champion Magnus Carlsen in a stunning face-to-face match. Within days, Carlsen accused Niemann of cheating --- a bombshell allegation that rocked the chess world. As the scandal spiraled, Chess.com --- the dominant force in online chess --- launched a high-stakes investigation igniting a global media firestorm. But CHECKMATE is about more than a cheating scandal. It’s the story of a teenager willing to risk everything to rise to the top; a reclusive genius suddenly fighting to protect his legacy; and a centuries-old game transforming into a billion-dollar industry fueled by streaming, sponsorships and Silicon Valley power players.

Tom Coyne, the New York Times bestselling author of A COURSE CALLED AMERICA and numerous other contemporary classics of golf literature, has spent his career traveling the world and playing legendary courses from St. Andrews to Shinnecock. One day, at the urging of a course superintendent who is hoping to save his local nine-hole gem from shuttering just shy of its 100th anniversary, Coyne pays a visit to Sullivan County Golf & Country Club in upstate New York. When he arrives, the course is buried under ice and snow, and what he can see of the clubhouse is falling apart. By the time he leaves, all he can see is his next adventure: discovering how owning a course is vastly different from playing one.

GHOST STORIES is an intimate meditation on grief, memory and enduring love, written after the death of Siri Hustvedt’s husband, Paul Auster. The book includes personal, never-before-seen writing by Auster --- letters and notes to Siri and his last unfinished book addressed to his grandson, Letters to Miles. The memoir is both an elegy and a reckoning, a chronicle of personal loss that also bears witness to the sorrows of recent years --- the tragic deaths of Hustvedt’s stepson and granddaughter. Hustvedt explores how grief unmoors time, how the intimacy of a shared life continues to mark the everyday, and how the body experiences the absence of love as a presence.

Jimmy Perrini lives in 1970s suburban New Jersey, a few miles from Manhattan, but a world apart. At the end of eighth grade, after tragedy strikes, Jimmy finds himself lost in a fog of grief that alienates him from friends and family, drifting instead into troubling friendships with two older teenagers. One is a notorious local burnout with a fast car, an endless supply of weed, and a shaky grasp of reality. The other is a smart, eccentric girl, to whom Jimmy finds himself drawn as they become entranced by her Ouija board, which just may offer the only salve to their grief. As a fateful public drama unfolds, Jimmy is torn between the occult beyond and the cold realities of the place he has called home. 

In the early morning of November 29, 2019, surveillance cameras at the headquarters of MI6, Britain’s spy agency, captured video of a young man pacing back and forth on a high balcony of Riverwalk, a luxury tower on the bank of the river Thames. At 2:24 a.m., he jumped into the river. In a quiet London neighborhood several miles away, Rachelle Brettler was worried about her son. Zac had told her that he had gone to stay with a friend, but then he did not come home. Days later, a police car pulled up, and two officers relayed the dreadful news: her son was dead. In their unbearable grief, Rachelle and her husband, Matthew, struggled to understand what had happened to Zac. He had his troubles, but in no way did he seem suicidal. As they would soon discover, however, there was a lot they did not know about their son.

Colm Tóibín is a master of short fiction as well as the novel, able to summon an extraordinary intensity of emotion in a brief tale. These 11 stories transport readers across continents and eras. In “The Journey to Galway,” a mother who has learned of the death of her son, a fighter pilot in World War I, travels to Galway to inform his wife and their three now fatherless children. “Sleep,” originally published in The New Yorker, explores the rift between two lovers as one of them cannot reckon with his grief and fear after the death of his brother. Death, again, is a central character in the title story, “The News from Dublin,” as Maurice Webster travels to Dublin to try to save his younger brother who is dying of tuberculosis. Maurice must petition the health minister for access to a new experimental drug, and this is the only hope.

A woman sends postcards to a former lover from the idyllic Gold Coast. A chorus of hometown voices gossip about a wayward friend returned. A young girl discovers a hidden box of horrors. Helen Garner is best known for her frank, unsparing and intricate portraits of Australian life. Now, in STORIES, comes the collected short fiction of a singular literary voice. These stories delve into the complexities of love and longing, of the pain, darkness and joy of life, and all told with Garner's characteristic sharpness, honesty and humor. Each one is a perfect piece, but together they showcase a rare talent and a master of many literary forms.

LEAVING HOME is a portrait of the artist both as a child and as an adult. His parents were not really cut out for the job of having children. They were cut out, respectively, for the jobs of designing abattoirs and keeping a pathologically clean and tidy house. At least he had the consolations of The Weetabix Solar System Wallchart, walnut whips and the occasional Babycham. Astringently honest and scalpel sharp, this is a book about being different and seeing the world differently. It’s about being a cartoonist and a care assistant. It’s about family. It’s about knickerbocker glories and heart surgery, about papier mâché and mental breakdown and great white sharks. It’s about how art, in all its varied forms, provides a way of understanding and coming to terms with the mess of human life.

Reeling from tragedy, a former jazz musician turned schoolteacher named Adi answers a job listing advertising a chance to save the world. The assignment: to spend five weeks alone on the tiny, isolated Pacific Island of Santa Flora righting an ecological balance that has gone severely out of whack, with the aim of preserving countless bird and plant species from certain extinction. What follows, however, is anything but balanced. The threats to the once-Edenic island, Adi soon learns, aren’t exactly what his employers said they were --- and, complicating things further, he discovers he’s not alone on the island. Fearful for his own life, and for the fate of the island's, Adi spends his sun-drenched days rooting out the true threat to Santa Flora, and, by extension, to the world it occupies --- and the desperate steps he must take to eradicate it.

Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it. Isn’t it? Crowds of people and animals --- worldly and otherworldly, alive and dead --- arrive, clamoring for a reckoning. Birds swarm the dying man’s room, and two oil-business cronies from decades past show up with chilling plans for his post-death future.