The boys are at the top of their theatrical game. Their only real competition for the hearts and gold of the public are the Shadowshapers. Nevertheless, the past years of financial struggle, since their manager proved to have been embezzling, have taken a toll on the group’s creativity. A shocking event brings all that to an end and brings Touchstone back together to create a play that will rattle the ceilings and shatter all the glass in palaces and theaters alike. An ancient conflict will come to a violent conclusion on stage, and all the gods will be watching.

For nearly two years, Cade has been rejecting his Fae gift, his prescient Elsewhens --- simply refusing to see or experience them. But the strain is driving a wedge between him and his theater troupe, Touchstone, and making him erratic on stage and off. It takes his best friend Mieka to bully Cade into accepting the visions again. But when Cade finally looks into the possible futures, he sees a royal castle blowing up, though his vision does not tell him who is responsible. 

Melanie Rawn’s new high fantasy series, Glass Thorns, that began with TOUCHSTONE and ELSEWHENS blends the worlds of magic, theater, art and politics. The third installment, THORNLOST, continues the story of Cayden “Cade” Silversun, part Elf, part Fae, part human Wizard --- and all rebel.

Touchstone, the magical theater troupe, continues to build audiences. But Cayden is increasingly troubled by his “elsewhens,” the uncontrolled moments when he is plunged into visions of the possible futures. He fears that his Fae gift will forever taint his friendships, while his friends fear that his increasing distance will destroy him.

Cayden Silversun is part Elven, part Fae, part human Wizard --- and all rebel. His aristocratic mother would have him follow his father to the Royal Court, to make a high society living off the scraps of kings. But Cade lives and breathes for the theater. With his company, he’ll enter the highest reaches of society and power, as an honored artist --- or die trying.