Linda Howard brings us deep into the wild, where a smart and sexy outdoor guide and her ruggedly handsome competitor must join forces to survive --- and avoid becoming what they never expected to be: PREY.

Linda Howard brings us deep into the wild, where a smart and sexy outdoor guide and her ruggedly handsome competitor must join forces to survive --- and avoid becoming what they never expected to be: PREY.

Thirty-two-year-old Angie Powell has always spoken her mind, but in the presence of Dare Callahan she nurses a simmering rage. After all, why give Dare the satisfaction of knowing he can push her buttons and push her to the edge?

Three years ago, Dare returned home to rural western Montana and opened a hunting business to rival Angie’s. Complicating matters is the fact that Dare has asked Angie out (not once but twice) and has given her a gift of butterflies in the process. Angie has no patience for butterflies. They only lead to foolish decisions. And now the infuriatingly handsome Iraq war vet has siphoned away Angie’s livelihood, forcing her to close up shop. 

Before Angie is to leave town, she organizes one last trip into the wilderness with a client and his guest, who wants to bag a black bear. But the adrenaline-fueled adventure turns deadly when Angie witnesses a cold-blooded murder and finds herself on the wrong side of a loaded gun. Before the killer can tie up this attractive loose end, a bear comes crashing through the woods --- changing the dark game completely.

Luckily, Dare is camping nearby and hears the shots. Forced together for their very survival, Angie and Dare must confront hard feelings, a blinding storm, and a growing attraction --- while being stalked by a desperate killer and a ferocious 500-pound beast. And neither will stop until they reach their prey.

Confronted with the disappointments and knockdowns that can come in middle age, Lou Ureneck decided he needed to build a simple post-and-beam cabin in the woods. Helping him was his younger brother, Paul, which Lou saw as a way to reconnect with their shared history and to rediscover his truest self.

Confronted with the disappointments and knockdowns that can come in middle age, Lou Ureneck decided he needed to build a simple post-and-beam cabin in the woods. Helping him was his younger brother, Paul, which Lou saw as a way to reconnect with their shared history and to rediscover his truest self.

Confronted with the disappointments and knockdowns that can come in middle age --- job loss, the death of his mother, a health scare, a divorce --- Lou Ureneck needed a project that would engage the better part of him and put him back in life's good graces. City-bound for a decade, Lou decided he needed to build a simple post-and-beam cabin in the woods. He bought five acres in the hills of western Maine and asked his younger brother, Paul, to help him.

Twenty years earlier the brothers had built a house together. Now Lou saw working with Paul as a way to reconnect with their shared history and to rediscover his truest self. As the brothers --- with the help of Paul's sons --- undertake the challenging construction, nothing seems to go according to plan. But as they raise the cabin, Ureneck eloquently reveals his own evolving insights into the richness and complexity of family relationships, the healing power of nature, and the need to root oneself in a place one can call home. With its exploration of the satisfaction of building and of physical labor, CABIN will also appeal to readers of Robert Pirsig's ZEN AND THE ART OF MOTORCYCLE MAINTENANCE, Matthew Crawford's SHOP CLASS AS SOULCRAFT, and Tracy Kidder's HOUSE.

So this girl walks into a bar... and when she walks out, there’s a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better.

So this girl walks into a bar... and when she walks out, there’s a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better.

SO THIS GIRL WALKS INTO A BAR... 

...and when she walks out there's a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She's been doing this for a while, and she's good at it.

And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her. She starts writing down names. And now she's a girl with a mission. Picking up their trails. Hunting them down. Crossing them off her list...

In this frank and upfront memoir, Mary Johnson details her two decades of life in Mother Theresa's Missionaries of Charity and why she ultimately had to leave.

In this frank and upfront memoir, Mary Johnson details her two decades of life in Mother Theresa's Missionaries of Charity and why she ultimately had to leave.

At 17, Mary Johnson saw Mother Teresa’s face on the cover of Time and experienced her calling. Eighteen months later, she entered a convent in the South Bronx to begin her religious training. Not without difficulty, this bright, independent-minded Texas teenager eventually adapted to the sisters’ austere life of poverty and devotion, and in time became close to Mother Teresa herself.

Still, beneath the white and blue sari beat the heart of an ordinary young woman facing the struggles we all share --- the desire for love and connection, meaning and identity. During her twenty years with the Missionaries of Charity, Sister Donata, as she was known, grappled with her faith, her sexuality, the politics of the order, and her complicated relationship with Mother Teresa. Eventually, she left the church to find her own path—one that led to love and herself.

Provocative, profound, and emotionally charged, AN UNQUENCHABLE THIRST presents a rare, privileged view of  Mother Teresa. At the same time, it is a unique and magnificent memoir of self-discovery.