Oxford Messed Up Ad
February 10, 2012
If you’re a New Yorker like me, you’re still basking in that great Super Bowl victory of the New York Giants. Also, if you were at a party anything like the one I attended, you’re recovering from the excessive eating that went on during the game. Seriously, Super Bowl Sunday has taken on the tone of Thanksgiving in terms of the quantity of food prepared. Carol threw a party at her house, and she thinks they can live off the leftovers for a week. She also marveled how Party City, the party store in this area, managed to become Giants Super Bowl Headquarters when just two weeks before the game, it was not guaranteed that they were playing. She’s imagining stores in San Francisco and Baltimore with lots of extra shelf space as a result of the game being played between New York and Boston.
Editorial content for Kill Shot: An American Assassin Thriller
Contributors
Reviewer (text)
If you have any doubts about Vince Flynn, you need to read the acknowledgements in his latest work. Flynn has had a tough year with health issues, which were significant enough to delay the completion and publication of KILL SHOT from 2011 to the early months of 2012. Whether or not the book is worth the wait is beside the point --- we need someone like Flynn alive for his own sake, aside from whatever considerable enjoyment might be derived from his novels --- but let us address the question anyway. Is KILL SHOT worth the wait? You bet! Read More
Teaser
KILL SHOT is a suspenseful political thriller that follows the young Mitch Rapp on a deadly mission to hunt down the men responsible for the Pan Am Lockerbie terrorist attack.
Promo
KILL SHOT is a suspenseful political thriller that follows the young Mitch Rapp on a deadly mission to hunt down the men responsible for the Pan Am Lockerbie terrorist attack.
About the Book
In the year since the CIA trained and then unleashed him, Mitch Rapp has been steadily working his way through a list of men, bullet by bullet. With each swift and untraceable kill, the tangled network of monsters responsible for the slaughter of 270 civilians in the Pan Am Lockerbie attack become increasingly aware that someone is hunting them. Rapp is given his next target, and finds the man asleep in his bed in Paris. In the split second it takes the bullet to leave Rapp’s silenced pistol, the trap is sprung and he finds himself in the fight of his life.
The next morning, nine bodies are discovered in one of Paris’s finest hotels --- among them the Libyan oil minister. Back in Washington the finger-pointing begins in earnest as no one wants any part in what has become an international crisis and potential embarrassment for the CIA. Rapp’s handlers have only one choice --- deny any responsibility for the incident and pray that their newest secret weapon stays that way.
Rapp must avoid capture or die quietly. One person in the group, however, is not prone to leaving such important things to chance. Rapp has become a liability, and Stan Hurley will not allow Rapp to be taken alive by the French authorities, even if it means killing him. Operating on his own and outside the control of his handlers, it will soon become clear that nothing is more dangerous than a wounded and cornered Mitch Rapp.
In Flynn’s newest page-turner, the stakes are higher than they’ve ever been as Mitch Rapp embarks on the journey that will turn him into America’s most deadly asset. The nonstop action in this shockingly realistic political thriller will keep your pulse pounding till the very end.
Editorial Content for History of a Pleasure Seeker
Contributors
Reviewer (text)
It's hard to deny the global impact of the television sensation “Downton Abbey.” Popular in both the United States and the United Kingdom, the series has reignited interest in the glamorous, turbulent years leading up to the First World War. In the UK, that period of rapid modernization and tenuous luxury is called the Edwardian period. In Europe, it's known as the Belle Époque. Read More
Teaser
Piet Barol has an instinctive appreciation for pleasure and a gift for finding it. He applies for a job as tutor to the troubled son of Europe’s leading hotelier: a child who refuses to leave his family’s mansion on Amsterdam’s grandest canal. As the young man enters this glittering world, he learns its secrets --- and soon, quietly, steadily, finds his life transformed as he in turn transforms the lives of those around him.
Promo
Piet Barol has an instinctive appreciation for pleasure and a gift for finding it. He applies for a job as tutor to the troubled son of Europe’s leading hotelier: a child who refuses to leave his family’s mansion on Amsterdam’s grandest canal. As the young man enters this glittering world, he learns its secrets --- and soon, quietly, steadily, finds his life transformed as he in turn transforms the lives of those around him.
About the Book
From the acclaimed author of THE DROWNING PEOPLE (“A literary sensation” —The New York Times Book Review) and NATURAL ELEMENTS (“A magnum opus” —The New Yorker), an opulent, romantic coming-of-age drama set at the height of Europe’s belle époque, written in the grand tradition with a lightness of touch that is wholly modern and original.
The novel opens in Amsterdam at the turn of the last century. It moves to New York at the time of the 1907 financial crisis and proceeds onboard a luxury liner headed for Cape Town.
It is about a young man --- Piet Barol --- with an instinctive appreciation for pleasure and a gift for finding it. Piet’s father is an austere administrator at Holland’s oldest university. His mother, a singing teacher, has died --- but not before giving him a thorough grounding in the arts of charm.
Piet applies for a job as tutor to the troubled son of Europe’s leading hotelier: a child who refuses to leave his family’s mansion on Amsterdam’s grandest canal. As the young man enters this glittering world, he learns its secrets --- and soon, quietly, steadily, finds his life transformed as he in turn transforms the lives of those around him.
HISTORY OF A PLEASURE SEEKER is a brilliantly written portrait of the senses, a novel about pleasure and those who are in search of it; those who embrace it, luxuriate in it, need it; and those who deprive themselves of it as they do those they love. It is a book that will beguile and transport you --- to another world, another time, another state of being.
Editorial content for What We Talk About When We Talk About Anne Frank: Stories
Contributors
Reviewer (text)
Nathan Englander is a very busy man these days. He is preparing a play for production on Broadway based on his previously written short story, “The Twenty-Seventh Man.” In March he will publish The New American Haggadah, a modern translation of the text celebrated each Passover by Jews around the world. Read More
Teaser
These eight new stories from celebrated novelist and short-story writer Nathan Englander address the great questions of modern life, exploring a range of eccentric characters through history and across generations.
Promo
These eight new stories from celebrated novelist and short-story writer Nathan Englander address the great questions of modern life, exploring a range of eccentric characters through history and across generations.
About the Book
These eight new stories from the celebrated novelist and short-story writer Nathan Englander display a gifted young author grappling with the great questions of modern life, with a command of language and the imagination that place Englander at the very forefront of contemporary American fiction.
The title story, inspired by Raymond Carver’s masterpiece, is a provocative portrait of two marriages in which the Holocaust is played out as a devastating parlor game. In the outlandishly dark “Camp Sundown” vigilante justice is undertaken by a group of geriatric campers in a bucolic summer enclave. “Free Fruit for Young Widows” is a small, sharp study in evil, lovingly told by a father to a son. “Sister Hills” chronicles the history of Israel’s settlements from the eve of the Yom Kippur War through the present, a political fable constructed around the tale of two mothers who strike a terrible bargain to save a child. Marking a return to two of Englander’s classic themes, “Peep Show” and “How We Avenged the Blums” wrestle with sexual longing and ingenuity in the face of adversity and peril. And “Everything I Know About My Family on My Mother’s Side” is suffused with an intimacy and tenderness that break new ground for a writer who seems constantly to be expanding the parameters of what he can achieve in the short form.
Beautiful and courageous, funny and achingly sad, Englander’s work is a revelation.








