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Excerpt

A series of six tapestries depicting a lady seducing a unicorn now
hang in the Musee National du Moyen Age in Paris. Although these
tapestries --- created in the late fifteenth century --- are some
of the most famous in the world, very little is known about their
creation or their history. Tracy Chevalier, the novelist best known
for writing the perennial book club favorite (and new feature film)
GIRL WITH A PEARL EARRING, has used her rich imagination to weave
together romance, humor and art history in THE LADY AND THE
UNICORN.

Chevalier starts with one of the few facts that is actually known
about the tapestries: they were created for the nobleman Jean Le
Viste, whose family coat of arms features prominently in their
design. In Chevalier's portrayal, Le Viste is a power-hungry
nobleman with close ties to the king. He wants tapestries depicting
the glories of war, but the artist, Nicolas des Innocents --- who
specializes in portraits of noblewomen --- convinces Le Viste that
a series of tapestries about courtly love will still bring glory to
the Le Viste name.

Nicolas himself is a womanizer --- the novel opens from his point
of view, and we quickly learn that his amorous sights are set on Le
Viste's teenage daughter, Claude. Much to the reader's surprise
(and delight), when Claude narrates the next section of the novel
we learn that she is just as lustful as Nicolas, and her prose just
as bawdy. Needless to say, when Claude's family discovers their
flirtation, her mother (who wants to be a nun) must concoct a plan
to keep the would-be lovers apart. Claude is banished to a convent
and Nicolas is sent to Brussels to supervise the weaving of the
tapestries there.

This development helps highlight one of the key themes of the
novel, which is the juxtaposition of the sacred and the profane.
Chevalier's novel is at turns raunchy and rapturous, and this
contrast applies not only to the tapestries themselves and to the
characters involved in their creation, but also to the whole
culture of late-medieval France.

In Brussels, Nicolas once again becomes woven up in a family drama,
this time in the industrious Chapelle family of weavers. Their
daughter Alienor is beautiful but blind, and they fear she must
marry the rude and odiferous wool dyer, whom she can't stand.
Nicolas and Alienor concoct a plan to save her from her fate while
allowing Nicolas to do what he does best.

In addition to being a hugely entertaining romp through art history
and medieval sexual politics, THE LADY AND THE UNICORN also
includes a number of interesting details about the art of weaving.
By the end of this book, you'll have not only a clear picture of
medieval weaving equipment and techniques, but also a greater
understanding of and appreciation for the tapestries themselves,
and for the weavers whose stories were lost to history --- until
Chevalier creatively brought them back to life.