In the introduction to A THOUSAND COUNTRY ROADS, Robert James
Waller writes that in the years since the publication of THE
BRIDGES OF MADISON COUNTY, thousands of readers have written asking
him to tell them more about Robert Kincaid and Francesca
Johnson.

If this is what readers are looking for, A THOUSAND COUNTRY ROADS
will be a disappointment. Because it's anything but another love
story.

Over 12 million copies of Bridges were sold in the past 10 years
--- 6 million in hardcover --- making it the best-selling hardcover
of all time. It wasn't the quality of the writing or the depth of
the plot that made the book a success but that Waller created a
heart-wrenching story of two lovers who have only a handful of days
to live out their romance.

Readers responded to the passion of the thwarted love affair
between the cowboy photographer and a disenchanted housewife ---
who in the end does the right thing and sticks it out with her
perfectly nice but boring husband.

For A THOUSAND COUNTRY ROADS to be billed as a conclusion to that
love story is a misnomer. BRIDGES already had concluded in the
first novel. In fact, Waller opens BRIDGES with the epilogue
perfectly scripted --- Francesca has died, and her children find
Kincaid's letters while going through their mother's effects.

So, since Waller killed off Francesca and Kincaid in book one, in
this slim new novel he's now been forced --- and forced it feels
--- to manufacturer a new tale.

This story focuses on Kincaid, not Francesca. At 68, Kincaid has
little left but his dog, old photographs, and memories. With those
memories pushing him, he sets out on a journey to return to the
bridge where he and Francesca met.

He doesn't want to find her. He just wants to stand there and find
an elusive something that never became clear to this reader.

To see if the bridge is still there? To see if it makes as great an
impression on him now that so many years have passed? To commune
with the past?

There's even less going on for Francesca: her husband has died and
mostly she's trying to avoid the advances of her well-meaning
neighbor.

And, oh yes, Francesca is haunted by Kincaid. But neither of them
picks up the phone or writes or makes any real effort to find each
other. Instead, they both remain wrapped up in a memory.

If it's giving away too much to say that they don't meet up again,
forgive me. But it's only fair to warn all those millions who read
BRIDGES and who might think this book will give them even a few
more pages of that love affair --- or any love affair for that
matter.

Rather, Waller has manufactured a new storyline that does not offer
any additional insight into the feelings between Kincaid and
Francesca. There is Carlisle McMillan --- a young man who is on a
quest to find the father he's never met and has only a few clues to
go on --- and Wynn, his mother, who had a very brief affair with a
stranger in the mid 1940s.

Their story --- and the way they come together with Kincaid --- is
not only contrived but lacks any meaning for fans of the original
book and adds nothing to Kincaid's character. We only find out that
he's once before met up with a lovely woman for a few days, and
left her too.

Mostly, A THOUSAND COUNTRY ROADS suggests the title of a much finer
novel: YOU CAN'T GO HOME AGAIN.