Australia is the land down under, where summer is in the winter
(or perhaps winter is in the summer) and water drains
counter-clockwise. Australians and Americans, while sharing the
same language, often seem to end up using those words in far
different ways. But one thing that citizens of the two nations have
in common is their love of the well-written mystery novel. THE
BROKEN SHORE by Australian writer Peter Temple is far more than a
great mystery novel --- it is a great novel, period.

Peter Temple is the author of eight previous crime novels and a
five-time winner of the Ned Kelly Award, Australia's major prize
for crime fiction. While his books have been published previously
in the United States, THE BROKEN SHORE marks his first association
with Farrar, Straus & Giroux, the publisher of many acclaimed
writers. Temple fits well with a group that includes Scott Turow,
Tom Wolfe, Jonathan Franzen and Richard Powers. Like those authors,
Temple's writing extends beyond the milieu of his characters and
his context. Audiences will find this to be an outstanding and
riveting mystery novel, but Temple's ability with words makes it
one that will stay with readers long after the final page has been
turned.

Joe Cashin is a big-city homicide detective recovering from a
work-related injury. His convalescence has returned him to the
coastal area of South Australia where he was raised. His expertise
is called upon by local authorities to investigate the robbery and
beating death of Charles Bourgoyne, a wealthy and prominent
resident of the community. Suspicion focuses on three aboriginal
teenagers when they're apprehended attempting to sell some of the
beaten man's property. Two of the suspects are shot and killed at
the end of a police chase. It appears that the entire case will be
closed, but Detective Cashin is unwilling to accept this
outcome.

Cashin seems to be an Australian version of Harry Bosch, Michael
Connelly's independent Los Angeles homicide detective. Like Bosch,
Cashin is a complex man who can be both kind and irascible. The
novel opens as Cashin befriends a "swaggie," an Australian homeless
person whom he chooses not to arrest. Bosch listens to jazz to help
him think, while Cashin uses opera scores for that purpose. Cashin
is currently reading the novels of Joseph Conrad; he doesn't know
why he has chosen Conrad, but something in the writer's background
makes him the current author of choice for the detective. Cashin is
a feisty cynic but at the same time can be sympathetic to society's
underdogs. He is the police establishment's greatest fear, a man
who will not accept the verdict of his police superiors that seeks
to truncate an investigation before it has come to a just and
complete conclusion.

Underlying the question of who shot Charles Bourgoyne are important
topics: police corruption, racial politics and issues surrounding
the all-too common clash between those favoring land development
and those championing environmental concerns. Through it all,
Temple paints a vivid and entertaining picture of complex
characters in the land down under.

Some readers may find the Australian idioms somewhat confusing.
Temple does include a glossary of terms in the back of the book;
though helpful, it is not required to enjoy this brilliant work of
literature. THE BROKEN SHORE is an unforgettable read that just may
become one of the summer's big sensations.