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One of the best things about writing a historical novel like my new book THE POSSIBILITY OF YOU, which is set in 1916 and 1976 along with the present, is that you have to do a lot of reading.  Having to do a lot of reading in the name of research is good because it delays the actual writing.  Instead, you can lie on the sofa, surrounded by pillows and covered by a nice soft blanket, and tell yourself that you’re working.

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