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Several times a year, when my stack of unread New Yorker magazines threatens to topple off the coffee table, I tell myself I should really cancel my subscription. How can anyone keep up with a weekly magazine? Especially one that is so much like a huge, excellent meal, compelling this reader to sample, and usually finish, each essay or article or story. Then I pick up an issue and turn to whatever Adam Gopnik has written and I know that as long as he writes for them I'll continue to mail in those subscription renewal forms every year.
Most of the essays in the book PARIS TO THE MOON were published first in The New Yorker. Despite having read them there, or maybe because of it, I coveted having them collected in book form. I confess to being a Francophile but I'd probably be just as delighted to read this author's musings on life in Normal, Illinois. Mr. Gopnik possesses the rare skill of writing about abstractions like culture and art in ways that are not only painless to read, but fun. "It's true that French women's magazines are as deeply preoccupied with body image and appearance as American ones. But they are confident that all problems can be solved by lotions."
It has been said that a writer is someone who sees differently. Mr. Gopnik sees more. Who else would come up with an analogy between the American obsession with working out and tangling with the French bureaucracy? "Three or four days a week you're given something to do that is time consuming, takes you out of yourself, is mildly painful, forces you into close proximity with strangers, and ends, usually, with a surprising rush of exhilaration: 'Hey, I did it.'"
When he isn't musing about French politics or architecture, Mr. Gopnik also writes winningly about more domestic concerns. His second child is born in Paris, fueling wry comparisons between French and American attitudes towards and modes of delivery of les enfants. He cares passionately about food and writes about the people who cook and serve it as well as the institutions where it's served. In the essay, "The Balzar Wars," he finds out that his favorite brasserie has been sold to a group likely to consolidate and/or standardize it. "I felt as I imagined I would feel if I had been stabbed: first surprise, then nothing, then pain." Of course, in any book about Paris, essays about fashion are de rigeur, and the ones here are as amusing and thoughtful as are all the others.
This collection truly has everything: sensuous detail, fine writing, lots of laughs, and stimulating, novel ideas. It's like the window of a patisserie, an array of tempting confections lovingly and artfully arranged. Warning: while this book can take the sting out of not going to Paris this year, you'll probably be perusing your vacation calendar before you finish.
--- Reviewed by Eileen Zimmerman Nicol
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