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Few, if any, historians have brought such insight, wisdom and empathy to public discourse as Jill Lepore. Arriving at The New Yorker in 2005, Lepore brought a transporting freshness and a literary vivacity to everything from profiles of long-dead writers to urgent constitutional analysis to an unsparing scrutiny of the woeful affairs of the nation itself. The astonishing essays collected in THE DEADLINE offer a prismatic portrait of Americans’ techno-utopianism, frantic fractiousness and unprecedented --- but armed --- aimlessness. From lockdowns and race commissions to Bratz dolls and bicycles, to the losses that haunt Lepore’s life, these essays again and again cross what she calls the deadline, the “river of time that divides the quick from the dead.”
Summer 1980: Despite the local superstition that the Bendy Man haunts the woods, three girls go into a Minnesota forest. Only one comes out, dead silent, her memory gone. The mystery of the Taken Ones captures the nation. Summer 2022: Cold case detective Van Reed and forensic scientist Harry Steinbeck are assigned a disturbing homicide --- a woman buried alive, clutching a heart charm necklace belonging to one of the vanished girls. Each has ties to the original case in ways they’re reluctant to share. As Van and Harry connect the crimes of the past and the present, Van struggles with memories of her own nightmarish childhood --- and the fear that uncovering the truth of the Taken Ones will lead her down a path from which she, too, may never return.
After Sheriff Bree Taggert’s takedown of cold-blooded murderer Travis Ekin, his family vows revenge. Travis’ mother and brothers are every bit as violent, and Bree is in their crosshairs. To complicate matters, Bree’s best friend, Dana Romano, walks into her date’s home and finds him shot in the chest. Dana tangles with an unidentified intruder, but he escapes through the back door. The crime scene is in another police department’s jurisdiction, and the lead investigator focuses on Dana as the prime suspect. While Bree and investigator Matt Flynn work off the books to clear Dana, Bree’s family receives deadly threats. A second dead body and a shocking piece of evidence link the two cases. Bree and Matt must find the killer fast --- before either case takes another deadly turn.
Carol is a divorced teacher living in a small town in Ireland. A second chance at love brings her unexpected connection and belonging --- and sparks a flurry of speculation. What does a woman like her see in a man like that? What happened to his wife who abandoned him and his children all those years ago? Carol and Declan know their relationship is the talk of the town, but the gossip only serves to bring the couple closer. When Declan becomes ill, their relationship falters. His children are untrusting and cruel, and Carol is forced to leave their beloved home and move back with her parents. It seems there are secrets in Declan's past, strange rumors that were never confronted, and suddenly the house they shared takes on a more sinister significance that affects them all.
After striking out on her own as a teen mom, Madi Price is forced to return to her hometown of Brandywine, Virginia, with her 17-year-old daughter. With nothing to her name, she scrapes together a living as a palm reader at the local farmers market. It’s there that she connects with old high school flame Henry McCabe, now a reclusive local fisherman whose infant son, Skyler, went missing five years ago. Everyone in town is sure Skyler is dead, but when Madi reads Henry’s palm, she’s haunted by strange and disturbing visions that suggest otherwise. As she follows the thread of these visions, Madi discovers a terrifying nightmare waiting at the center of the labyrinth --- and it’s coming for everyone she holds dear.
Born into the steam and starch of a Chinese laundry, Anna May Wong (1905–1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood’s most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos --- with a touch of defiance --- “Orientally yours.” Now, more than a century after her birth, Yunte Huang narrates Wong’s tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy. As Huang shows, Wong’s rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich.
Salma Khatun is hopeful about Blenheim, the suburban development into which she, her husband and their son have just moved. The Bangladeshi family needs a fresh start, and Blenheim feels like just the place. Soon after they move in, Salma spots her white neighbor, Tom Hutton, ripping out the anti-racist banner her son put in the front garden. Avoiding confrontation, Salma takes the banner inside and puts it in her window. But the next morning, she wakes up to find her window smeared with paint. When she does speak to Tom, battle lines are drawn between the two families. As racial and social tensions escalate and the stakes rise, it’s clear that a reckoning is coming…and someone is going to get hurt.
After years of drifting apart, Iris Prince and her husband are going through a surprisingly drama-free divorce. It feels like her life is finally exactly what she wants it to be. Then, one beautiful morning, she looks outside her kitchen window --- and sees that a wall has appeared in her front yard overnight. Meanwhile, a Silicon Valley startup has launched a high-tech wrist wearable called "the Band." Pitched as a convenient, eco-friendly tool to help track local utilities and replace driver's licenses and IDs, the Band is available only to those who can prove parental citizenship. Suddenly, Iris, a proud second-generation Mexican American, is now of "unverifiable origin." Amid a climate of fear and hate-fueled violence, Iris must confront how far she'll go to protect what matters to her most.
Laney Kilpatrick has been renting her vacation home to strangers. But broken belongings and campfires that nearly burn down the house have escalated to bloody bones, hex circles, and terrified renters who have fled after finding blood and nail marks all over the guest room closet. When Laney shows up to investigate with her teenage niece in tow, she discovers that her ex, Kit, has also been informed and is there with Jayla, his sister and her former best friend. Then Sadie, another old high school friend, charters over with her brother, who’s now a cop. There are tensions and secrets, whispers in the woods and, before long, the discovery of a hand poking up from the earth. Then the body that goes with it. But by that time, someone has taken off with their one and only means off the island.
Not far from the sprawling grounds of Wyndham Hall, the body of longtime MI6 agent John Repton is found, shot dead with a single bullet to the heart. Repton was killed while surveilling the members of a household with alleged ties to fascists who threaten the security of the country, as Hitler’s influence spreads across Europe. Elena Standish is assigned the case, thanks to her new connection to the Wyndham family: Her older sister, Margot, is being courted by Lady Wyndham’s brother. As Elena and her colleague, James Allenby, dig deeper into the Wyndham family’s nefarious connections, Margot grows suspicious. Can Elena reconcile her political and professional obligations with her loyalty and love for her sister? Will Elena and Allenby uncover their colleague’s killer?
