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Ten years ago, Lena Donohue experienced a wedding-day betrayal so painful that she fled the small town of Watersend, South Carolina, and reinvented herself in New York City. Though now a freelance travel writer, the one place she rarely goes is home --- until she learns of her dad’s failing health. Returning to Watersend means seeing the sister she has avoided for a decade and the brother who runs the family’s Irish pub and has borne the burden of his sisters’ rift. While Alzheimer’s slowly steals their father’s memories, the siblings rush to preserve his life in stories and in photographs. As his secret past brings Lena’s own childhood into focus, it sends her on a journey to discover the true meaning of home.
Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. She is utterly repelled by the rest of her fiction-writing cohort, a clique of unbearably twee rich girls who call each other "Bunny." But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door --- ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the sinister yet saccharine world of the Bunny cult and starts to take part in their ritualistic off-campus "Workshop," where they magically conjure their monstrous creations, the edges of reality begin to blur, and her friendships with Ava and the Bunnies are brought into deadly collision.
Oliver Sacks, scientist and storyteller, is beloved by readers for his neurological case histories and his fascination and familiarity with human behavior at its most unexpected and unfamiliar. EVERYTHING IN ITS PLACE is a celebration of Sacks' myriad interests --- from his passion for ferns, swimming and horsetails, to his final case histories exploring schizophrenia, dementia and Alzheimer's --- told with his characteristic compassion and erudition, and in his luminous prose.
Ayesha Shamsi’s dreams of being a poet have been set aside for a teaching job so she can pay off her debts to her wealthy uncle. She lives with her boisterous Muslim family and is always being reminded that her flighty younger cousin, Hafsa, is close to rejecting her 100th marriage proposal. Then she meets Khalid, who is just as smart and handsome as he is conservative and judgmental. She is irritatingly attracted to someone who looks down on her choices and who dresses like he belongs in the seventh century. When a surprise engagement is announced between Khalid and Hafsa, Ayesha is torn between how she feels about the straightforward Khalid and the unsettling new gossip she hears about his family.
Retired FBI agent Brigid Quinn and her husband Carlo, a former priest and university professor, are trying to enjoy each other in this new stage in their lives. But a memento from Carlo's days as a prison chaplain --- a handwritten document hidden away undetected in a box of Carlo's old things --- has become a target for a man on the run from his past. Jerry Beaufort has just been released from prison after decades behind bars, and though he'd like to get on with living the rest of his life, he knows that somewhere there is a written record of the time he spent with two killers in 1959. Following the path of this letter will bring Jerry into contact with the last person he'll see as a threat: Brigid Quinn.
Lily Bushwold thought she’d found the antidote to endless foster care and group homes --- a teaching job in Cochabamba, Bolivia --- but unfortunately that gig falls through. Tired of hustling and already world-weary, crazy love finds her in the form she least expected: Omar, a savvy, handsome local man who’d abandoned his life as a hunter to try his hand at city life. When Omar learns that a jaguar has killed his four-year-old nephew in Ayachero, he gives Lily a choice: Stay alone in the unforgiving city, or travel to the last in a string of ever-more-isolated river towns in the jungles of Bolivia. She follows Omar to this ruthless new world of lawless poachers, bullheaded missionaries, and desperate indigenous tribes driven to the brink of extinction.
A prominent lawyer is found dead, tied to his own dock by a fishing stringer through his jaw, and everyone wants private detective Nils Shapiro to protect them from suspicion: The unfaithful widow. Her artist boyfriend. The lawyer’s firm. A polarizing congressional candidate. A rudderless suburban police department. Even the FBI. Nils and his investigative partners illuminate a sticky web of secrets and deceit that draws national attention. But finding the web doesn’t prevent Nils from getting caught in it. Just when his safety is most in peril, his personal life takes an unexpected twist, facing its own snarl of surprise and deception.
Timothy Blake, ex-consultant for the FBI, now works in body disposal for a local crime lord. One night he stumbles across a body he wasn’t supposed to find and is forced to hide it. When the FBI calls Blake in to investigate a missing university professor, Blake recognizes him as the dead man in his freezer. Then another man goes missing. And another. There’s a serial killer in Houston, Texas, and Blake is running out of time to solve the case. His investigation takes him to a sex doll factory, a sprawling landfill in Louisiana and a secret cabin in the woods. As they hunt the killer together, FBI agent Reese Thistle starts to warm to Blake --- but she also gets closer and closer to discovering his terrible secret.
ON EARTH WE’RE BRIEFLY GORGEOUS is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born --- a history whose epicenter is rooted in Vietnam --- and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.
From the moment in 1907 when New York millionaire Alfred Gwynne Vanderbilt strode through the Plaza Hotel's revolving doors to become its first guest, to the afternoon in 2007 when a mysterious Russian oligarch paid a record price for the hotel's largest penthouse, the 18-story white marble edifice at the corner of Fifth Avenue and 59th Street has radiated wealth and luxury. In this definitive history, award-winning journalist Julie Satow reveals how a handful of rich, dowager widows were the financial lifeline that saved the hotel during the Great Depression, and how, today, foreign money and anonymous shell companies have transformed iconic guest rooms into condominiums that shield ill-gotten gains.
