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Click here to find more Alexander McCall Smith on Audible.com.

Books by
Alexander McCall Smith

THE LOST ART OF GRATITUDE:
An Isabel Dalhousie Novel


TEA TIME FOR THE TRADITIONALLY BUILT
The New No. 1 Ladies' Detective Agency Novel


THE WORLD ACCORDING TO BERTIE:
A 44 Scotland Street Novel


THE COMFORTS OF A MUDDY SATURDAY:
An Isabel Dalhousie Novel


THE MIRACLE AT SPEEDY MOTORS

LOVE OVER SCOTLAND

THE CAREFUL USE OF COMPLIMENTS:
An Isabel Dalhousie Novel


THE GOOD HUSBAND OF ZEBRA DRIVE

THE RIGHT ATTITUDE TO RAIN

BLUE SHOES AND HAPPINESS

FRIENDS, LOVERS, CHOCOLATE

44 SCOTLAND STREET

IN THE COMPANY OF CHEERFUL LADIES

THE GIRL WHO MARRIED A LION: And Other Tales From Africa

THE SUNDAY PHILOSOPHY CLUB

THE FULL CUPBOARD OF LIFE

THE KALAHARI TYPING SCHOOL FOR MEN

Reading Group Guides

THE NO. 1 LADIES' DETECTIVE AGENCY

TEARS OF THE GIRAFFE

MORALITY FOR BEAUTIFUL GIRLS

THE KALAHARI TYPING SCHOOL FOR MEN

THE FULL CUPBOARD OF LIFE

THE SUNDAY PHILOSOPHY CLUB

LOVE OVER SCOTLAND
Alexander McCall Smith
Anchor Books
Fiction
ISBN: 9780307275981

When you step into the pages of a 44 Scotland Street novel, you enter Edinburgh as prolific novelist Alexander McCall Smith’s own private guest. McCall Smith’s intimate love affair with his adopted city peeps through the windows of this fictional townhouse condominium like a cool Scottish sun on a rare cloudless day.

LOVE OVER SCOTLAND is the third in the saga of the residents of 44 Scotland Street, and it finds several of its inhabitants from the first two novels in new digs but maintaining firm ties to the relationships they first nurtured behind those doors.

Still in residence is the six-year-old child prodigy Bertie, whose saxophone jazz riffs waft up the stairwells and through the heating vents to the other residents. His absent-minded father --- having lost, or mislaid, the family car again --- inadvertently introduces his family and some of the other main characters to Lard O’Connor, a Glasgow businessman of uncertain means. O’Connor’s influence does not stop with Bertie’s father, however, as Big Lou, the owner of the corner coffeehouse, encounters problems with her boyfriend. Meanwhile, under the guidance of his insufferable mother, Bertie finds himself heading off to Paris with a student orchestra only to end up buskering for Euros on a Paris West Bank street corner when the field trip goes awry.

Anthropologist Domenica has flown off to the Malacca Straits to study pirates of the Far East, subletting her Scotland Street flat to a novelist friend, Antonia. She has also left her old friend, Angus Lordie, and his philosophical dog, Cyril, to Angelica in hopes they will entertain one another while she develops her theories on modern pirates on the high seas. Her matchmaking skills are tested as the two meet in a disastrous dinner for two. Domenica puts to good use her knowledge of Pidgin English on an adventure with an aging pirate off the Sumatran coast.

Meanwhile, Cyril provides a comedic voice to the story with his wry comments on the potential tenderness of the ankles he observes in passing, particularly those of the denizens of a local pub, where he is treated to his bowl of Guinness and the occasional chip. Tethered to a fence rail outside an upscale delicatessen where his gobbling of a salami has left him persona non gratis, Cyril is kidnapped and escapes in an unsavory part of Edinburgh, leaving poor Angus to look inward darkly at his lonely life.

The townhouse’s professional student, Pat, has moved out of Number 44 due to personal entanglements with the rakish Bruce, only to find an even more distressing situation with her new female roommate. Thus she finds herself moving in with her shy and bumbling boss from the art gallery, Matthew, and she begins to discover just how complicated relationships can make one’s life, especially when young and beautiful. Matthew, meanwhile, has come into a handsome inheritance that leaves him quite wealthy, but no more or less cultured, well dressed and sophisticated than the starving art store owner he’s always been. He also discovers that having money isn’t the solution to problems, either his own or of others.

Alexander McCall Smith’s gentle satire and congenial voice bring us many smiles and the occasional chuckle as he weaves his storytelling net to enfold each of these memorable characters.

   --- Reviewed by Roz Shea

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