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"When the maid is mistaken for the mistress it is time for the mistress to ask the maid to leave."
Agnieszka comes to live with Martyn and Hattie as an au pair. The family dynamic changes, bit by bit, shifting the daily domestic and child-rearing responsibilities from Hattie to Agnieszka. Kitty, at six months of age, adores her new au pair. Hattie, an editor with a book publisher, looks at Agnieska as a Godsend; Hattie can go back to work after a six-month leave of absence rather than the full-year leave she initially requested.
Fay Weldon has woven countless subplots, offering the reader insight into political and social mores, and the complex relationships between family members and friends. As the narrator is Hattie's grandmother, Francis Watt, we see another generation's views on all of these issues, as well as family history.
Deceit is a quality known by many. It is a quality that Weldon weaves into her tale, offering the reader brief glimpses of the truth, while daring you to believe that the truth could be so devious. Will Martyn and Hattie do anything to keep Agnieszka, even in the face of the Immigration Service? Agnieszka originally states that she's from Poland. She is actually from the Ukraine: "two miles to the west and everything would be different for us."
Hattie's career in book publishing has taken a sudden turn in the road. A man with Tourette's Syndrome has a book he wants published by Hattie's firm. The major objection to this book is the suggested yet unprintable title. Another question arises when the author shows up unannounced in the lobby of Hattie's office. Expecting him to begin yelling streams of profanity, the office workers don't know what to do with him. Hattie suggests that he doesn't even have Tourette's Syndrome; he is just writing from the perspective of a man who does.
There are many gems in SHE MAY NOT LEAVE. Weldon has given the reader countless opportunities to anticipate the final result. It's so subtle and so polished, yet so innocent. Weldon totally sneaks up on you!
--- Reviewed by Marge Fletcher
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