It's
a hot summer afternoon in 1972 in the suburbs of Washington, D.C.
Three white teenagers, bored and stoned, cruise the streets,
aimlessly seeking relief from the tedium. They drive into a poor
black neighborhood, ironically named Heathrow Heights. For fun, one
decides to toss a cherry pie, splattering a teenage resident of the
neighborhood. Minutes later, the driver lies dead of a bullet
wound, one passenger is severely beaten and six lives are altered
forever.

Acclaimed as one of America's most thoughtful crime novelists,
George Pelecanos continues to stretch the boundaries of his genre
to explore the moral dimensions of human action in his latest
novel, THE TURNAROUND. It's an absorbing story likely to burnish
his reputation with his loyal fans and expose him to a wider
audience.

Alex Pappas is one of the young men in the car who enters Heathrow
Heights on the fateful afternoon. When the novel fast forwards to
2007, he's the 51-year-old owner of a modest coffee shop near
DuPont Circle he's been running since age 19, when his father died
of a heart attack. Alex's younger son, Gus, has been killed in Iraq
and he's grooming his older son, John, to take over the family
business.

Every afternoon, Alex quietly delivers pies and desserts to the
wounded veterans at Walter Reed Medical Center. On one of those
visits he encounters Raymond Monroe, a physical therapist at the
hospital whose own son has been deployed to Afghanistan. When
Monroe discovers that Pappas, like him, was involved in the
Heathrow Heights incident, he seeks him out, taking the first
tentative steps toward reconciliation after 35 years. Raymond's
older brother, James, sentenced to 10 years in prison (bloated to
20 for his misconduct there) for shooting Alex's friend, the
driver, works as a mechanic in a nondescript auto repair shop.
Raymond struggles to persuade his reluctant brother to let the past
surrender its hold on him.

Charles Baker, who inflicted a beating that caused permanent damage
to Alex's eye, lives on the fringes of the law, working fitfully at
a menial job in a nursing home. He has hooked up with two teenagers
running a small drug dealing operation and is looking for the big
score --- whether it's a chance to muscle out their supplier or to
blackmail Alex or the other occupant of the car, who fled the scene
and now has become a prominent Washington lawyer recognized for his
work helping minorities.

Pelecanos skillfully creates an atmosphere of foreboding as the
five survivors of the Heathrow Heights incident head toward a
denouement that feels at some times as if it may be cataclysmic and
at others redemptive. His ability to sustain this tension to the
end of the novel is a testament to his skill in creating both
credible characters and a plausible plot. Sympathetic without
yielding to sentimentality, he draws sharp contrasts between
characters like Alex and Raymond, who've managed to carve out
respectable middle class lives, and those like Charles Baker and
James Monroe, for whom the burden of bad choices shadows their
every action.

A native of Washington who happens to be roughly the same age as
the principal characters of the novel, Pelecanos is adept at
capturing the atmosphere of working class life there, both in the
1970s and today. Beyond possessing an intimate knowledge of his
setting, he has a knack for invoking the music, clothing,
hairstyles and cars that associate the characters with a particular
era or social class.

Each day, the media offer up fresh stories of violent crime. Soon,
the details of these events fade from our memories and we're
unlikely to spend much time pondering their permanent impact on
perpetrators, victims and their families. Without moralizing,
George Pelecanos forces us to pause and reflect on the consequences
that flow from an instant of thoughtless violence. That he does so
in the form of a page-turning novel makes his achievement all the
more impressive.