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As is his wont, John Irving borrows bits and pieces from his
previous novels for his latest book, THE FOURTH HAND. For example,
the main character has a cryptic catch–phrase he delivers
each evening to a large audience (see THE CIDER HOUSE RULES); a
circus in India plays a primary role in advancing the plot (see A
SON OF THE CIRCUS); photographs are poignant reminders of all the
things the lead characters have lost or given up in their lives
(see A WIDOW FOR ONE YEAR); and an affair between a college
instructor and one of her students elucidates the character of both
(see THE WORLD ACCORDING TO GARP). However, THE FOURTH HAND most
resembles THE WATER–METHOD MAN, Irving's second book,
published in 1972 --- six years prior to his break–out book,
THE WORLD ACCORDING TO GARP.

For readers unfamiliar with Irving's pre–GARP work, THE
FOURTH HAND may seem out of keeping with the rest of his novels
despite the small familiar details mentioned above. THE FOURTH HAND
lacks the complexity of many of his books, taking only token looks
at most of the minor characters rather than the extended
exploration such characters have merited in books like THE WORLD
ACCORDING TO GARP or THE CIDER HOUSE RULES. In this relatively slim
volume, Irving limited himself to a single extended side narrative
--- that of the hand surgeon who performs the protagonist's hand
transplant --- and his story, while well–told, does little to
reveal the story of the major characters.

Readers of THE WATER–METHOD MAN, however, will recognize the
early Irving in this latest novel. THE FOURTH HAND's Patrick
Wallingford and THE WATER–METHOD MAN's Bogus Trumper have
much in common. Both suffer from physical anomalies obliquely
referred to in their respective book's title; each spends a great
deal of time in front of a camera, Wallingford because he is a
television journalist, Trumper because one of his best friends is a
documentary film maker making a film about Trumper's life; and
neither man, try as he might, can refuse a woman anything ---
especially anything involving sex. Indeed, both novels are to some
degree about the protagonist's efforts to overcome this weakness
and settle in for the long haul with one woman. And while both
Wallingford and Trumper would be happy having sex for the sake of
sex, they both become involved with women who insist on having
babies.

THE FOURTH HAND, written nearly 30 years and many novels after THE
WATER–METHOD MAN, may be a more finely crafted novel. As
always, Irving draws the reader into the lives of his characters
--- lives that manage to seem simultaneously both outrageously
quirky and wholly familiar. The book lacks some of THE
WATER–METHOD MAN's energy, however. Because it also lacks the
densely woven plot of Irving's more famous novels, it may be
something of a disappointment to many readers who have come to
expect a different narrative style from the author. Even so, this
odd love story reminds us that Irving is a master of illuminating
our common emotions by casting them into uncommon settings.