Hans
van den Broek is a man adrift. Recently separated from his wife
Rachel, who has returned to her native England with the couple's
young son, Hans is in his mid-30s and still living out of a
suitcase in the Chelsea Hotel in 2003, a temporary situation that
seems to have become permanent after Hans and Rachel fled their
Tribeca loft in the wake of September 11, 2001.

Left behind by his family in a city that is not his home, Hans, a
native Dutchman who has grown fabulously wealthy as an oil futures
analyst in Manhattan, is still flummoxed by his quasi-adopted
country and its inhabitants. And even as he attempts to make sense
of everything from turns of phrase to the particularly aggressive
style of the American walk signal at traffic lights, Hans tries to
make sense of himself.

An analyst by trade, Hans is also an analyst by nature, noticing
small details in the people and places he encounters, and devoting
not insignificant efforts on analyzing himself, particularly the
remoteness he feels not only from his family but also from his
youthful self, one who had meaningful relationships, found joy in
life and excelled at the sport of cricket.

So when Hans connects with an energetic, charismatic Trinidadian
immigrant named Chuck Ramkissoon, his subsequent discoveries
reconnect Hans not only with a little-known subculture of New York
but also to his youthful past. Through Chuck, and with his
involvement in the New York Cricket Club, Hans encounters
immigrants from virtually every English-speaking country in the
world as they meet for games on makeshift cricket fields carved out
of every spare corner of the five boroughs and beyond. Hans's
reunion with his beloved sport brings him back to his past, to his
origins and possibly to himself.

NETHERLAND is Joseph O'Neill's third novel. A native of
Ireland who has lived in the Netherlands for many years,
O'Neill certainly understands the feeling of estrangement from
one's own country as well as the feeling of being an alien in one's
adopted homeland. The symbolism of exile is apparent throughout
this elegiac, thoughtfully-paced novel --- not only in the shape of
cricket but also in images of migratory birds, shifting ice floes,
and the constantly moving and shifting population of New York
City.

The city itself is practically a character in the novel, described
alternately by Hans, the narrator, with grudging admiration,
genuine fondness and a sense of loss as he prepares to leave the
city forever. As the city moves through the seasons during the
winter and spring of 2003 and beyond, the narrative alights on tiny
moments --- a degrading incident at the DMV, a surprise sprout from
a long-forgotten flower bulb, the reawakening of the city's
homeless population --- that not only point to a profoundly
observant understanding of the city but also mirror Hans's shifting
consciousness.

Although NETHERLAND, with its meticulous details, heavy
self-reflection and at times ponderous pace, may not be a novel for
everyone, it will speak strongly to those who value carefully
crafted sentences, wise observations and moments of startling
insight.