When Koethi Zan was born in the sleepy farming town of Opp, Alabama, the “City of Opportunity,” her mother was Valedictorian of the local public high school and her father the star of its football team. Her parents named her after the homecoming queen of Lurleen B. Wallace Junior College, perhaps hopeful that some of that glory would rub off on her.
But Koethi would never be a homecoming queen. In fact, she spent most of her youth in her room, reading, listening to Morrissey, and avoiding everything connected to high school football --- not an easy task in those parts.
After graduation, Koethi put herself through Birmingham-Southern College with scholarships and a small “cow fund” courtesy of Molly, the Charolais heifer she’d received as her third birthday present. She used the money wisely, travelling to New Orleans on the weekends to hit the club scene, almost always in silver-sequined costume, surrounded by transvestites, Goth kids and her gay male entourage. Perhaps, in some roundabout way, she had fulfilled her homecoming queen destiny after all.
Then, in what may have been a misguided fit of pique, Koethi threw away her all-black daywear and her thrift-store evening gowns, and went to Yale Law School, with some vague idea of becoming a film producer. Afterwards, however, she unexpectedly found herself twenty-eight stories up in the Manhattan offices of Davis Polk & Wardwell, a prestigious white shoe law firm that represented mostly investment banks. She regularly pulled all-nighters working on secured financings and revolving credit facilities. She tended to wear demure black pantsuits, with her hair up.
It didn’t take her long to realize corporate life wasn’t for her, and Koethi spent the next fifteen years practicing entertainment law both in private practice (at Paul Weiss Rifkind Wharton & Garrison and, later, Schreck Rose & Dapello) and in-house business and legal affairs positions (for the film producer, Ed Pressman, and, most recently, at MTV), with a slight detour along the way to study cinema at