Narcissistic, hilariously self-deluded, and divorced from the real world as most of us know it, hedge-fund manager Barry Cohen oversees $2.4 billion in assets. Deeply stressed by an SEC investigation and by his three-year-old son’s diagnosis of autism, he flees New York on a Greyhound bus in search of a simpler, more romantic life with his old college sweetheart. Meanwhile, his super-smart wife, Seema --- a driven first-generation American who craved the picture-perfect life that comes with wealth --- has her own demons to face. How these two flawed characters navigate the Shteyngartian chaos of their own making is at the heart of this piercing exploration of the 0.1 Percent, a poignant tale of familial longing and an unsentimental ode to what really makes America great.

Our narrator should be happy, shouldn't she? She's young, thin, pretty, a recent Columbia graduate, works an easy job at a hip art gallery, lives in an apartment on the Upper East Side of Manhattan paid for (like the rest of her needs) by her inheritance. But there is a dark and vacuous hole in her heart, and it isn't just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It's the year 2000 in a city aglitter with wealth and possibility. What could be so terribly wrong?

In the aftermath of a flood that washes away much of a small Tennessee town, evangelical preacher Asher Sharp offers shelter to two gay men. In doing so, he starts to see his life anew --- and risks losing everything. With no way out but ahead, Asher takes his son, Justin, and flees to Key West, where he hopes to find his brother, Luke, whom he’d turned against years ago after Luke came out. And it is there, at the southernmost point of the country, that Asher and Justin discover a new way of thinking about the world, and a new way of understanding love.

Spanning over 100 years, from the antebellum era to the 1980s, A SHOUT IN THE RUINS examines the fates of the inhabitants of Beauvais Plantation outside of Richmond, Virginia. When war arrives, the master of Beauvais, Anthony Levallios, foresees that dominion in a new America will be measured not in acres of tobacco under cultivation by his slaves, but in industry and capital. A grievously wounded Confederate veteran loses his grip on a world he no longer understands, and his daughter finds herself married to Levallois, an arrangement that feels little better than imprisonment. And two people enslaved at Beauvais plantation, Nurse and Rawls, overcome impossible odds to be together, only to find that the promise of coming freedom may not be something they will live to see.

Leslie Jamison deftly excavates the stories we tell about addiction --- both her own and others' --- and examines what we want these stories to do and what happens when they fail us. All the while, she offers a fascinating look at the larger history of the recovery movement, and at the complicated bearing that race and class have on our understanding of who is criminal and who is ill. At the heart of the book is Jamison's ongoing conversation with literary and artistic geniuses whose lives and works were shaped by alcoholism and substance dependence --- including Raymond Carver, Denis Johnson and David Foster Wallace --- as well as brilliant lesser-known figures, lost to obscurity but newly illuminated here.

What if the drink you just spilled, the train you just missed, or the lottery ticket you just found was not just a random occurrence? What if it’s all part of a bigger plan? What if there’s no such thing as a chance encounter? What if there are people we don’t know determining our destiny? And what if they are even planning the fate of the world? Enter the Coincidence Makers --- Guy, Emily and Eric --- three seemingly ordinary people who work for a secret organization devoted to creating and carrying out coincidences. When an assignment of the highest level is slipped under Guy’s door one night, he knows it will be the most difficult and dangerous coincidence he’s ever had to fulfill.

Lu Rile is a relentlessly focused young photographer struggling to make ends meet. Working three jobs, responsible for her aging father, and worrying that the crumbling warehouse she lives in is being sold to developers, she is at a point of desperation. One day, in the background of a self-portrait, Lu accidentally captures on film a boy falling past her window to his death. The photograph turns out to be startlingly gorgeous, the best work of art she’s ever made. But the decision to show it is not easy, especially as she forges an intense bond with the boy’s mother. Lu becomes torn between equally fierce desires: to use the photograph to advance her career, and to protect a woman she has come to love.

Lynn McBride has learned much since society collapsed in the face of nuclear war and the relentless spread of disease. As the memories of her old life continue to surface, she’s forced to forge ahead in the snow-drifted Canadian Yukon, learning how to hunt and trap and slaughter. Forget the old days. Forget summer. Forget warmth. Forget anything that doesn’t help you survive in the endless white wilderness beyond the edges of a fallen world. Shadows of the world before have found her tiny community --- most prominently in the enigmatic figure of Jax, who brings with him dark secrets of the past and sets in motion a chain of events that will call Lynn to a role she never imagined.

Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you’re not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you have debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she has stepped square into a conspiracy for control of Artemis itself --- and that now, her only chance at survival lies in a gambit even riskier than the first.

A small-town newspaper columnist with old-fashioned views of the modern world. A World War II veteran grappling with his emotional and physical scars. A second-rate actor plunged into sudden stardom and a whirlwind press junket. Four friends traveling to the moon in a rocketship built in the backyard. These are just some of the stories that Tom Hanks captures in his first work of fiction: a collection of shorts that explore the human condition in all its foibles. The stories are linked by one thing: in each of them, a typewriter plays a part --- sometimes minor, sometimes central.