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Simon Vance is a stage, TV and film actor who has narrated hundreds of audiobooks for which he has won multiple AudioFile Earphone Awards and Audie Awards, and has been selected as an AudioFile “Golden Voice.” Recently he narrated Hilary Mantel’s BRING UP THE BODIES, winner of the 2013 Audie Award for Literary Fiction. Here, he lets us in on audiobooks from a narrator's perspective --- the importance of "living in the material," finding an emotional connection with the work, and, most of all, staying healthy.
This week's blog posts (our last in this year's audiobook blog series) offer an exciting change of pace, as we hear from narrators about their audiobook experience. First up is Katherine Kellgren, who has recorded well over 100 audiobooks, was named a “Golden Voice” by AudioFile magazine, and was one of the narrators of Bram Stoker’s DRACULA, the 2013 Audie Award winner for Distinguished Achievement in Production. In this interview, Katherine talks about her own approach to audiobook narration --- including a well-developed and personal series of symbols --- all the amazing things she learns from narrating books, and the importance of getting an author's input on the reading of his or her work.
Caragh M. O’Brien is the author of the young adult dystopian novel BIRTHMARKED and its sequels, PRIZED and PROMISED. She lives with her family in Connecticut and recently resigned from teaching high school English in order to write. In this interview, Caragh discusses her basic audiobook listening preferences and why the ever-popular Jim Dale is her favorite narrator.
Pamela Clare is known for delivering what readers want. She also seems to have a knack for knowing what listeners want, too. Here, she talks about the wonderful nuances a good narrator can draw out of a story, the surprising pleasure of listening to her own books, and the soothing magic of the Harry Potter audiobook. Pamela began her writing career as a columnist and investigative reporter, and eventually became the first female editor-in-chief of two different newspapers. A single mother with two college-aged sons, she writes historical romance and contemporary romantic suspense. Her latest book, SKIN DEEP, released in January.
For all you horror lovers out there, David Niall Wilson shares his well-honed expertise about the genre when it comes to audiobooks. His genre cred includes having been once President of the Horror Writers Association and a multiple recipient of the Bram Stoker Award, as well as having been writing and publishing horror, dark fantasy and science fiction since the mid-1980s. In this interview, David talks about why Neil Gaiman’s books are fun to listen to, the narrators he finds the most compelling, and why sometimes even a narrator’s voice can be addictive. His most recent book, NEVERMORE, was published in April.
Lynda Hudson is a practicing hypnotherapist, and is the author of two highly acclaimed handbooks for therapists. A former clinical hypnosis lecturer for the London College of Clinical Hypnosis and teacher of clinical hypnosis for Thames Medical Lectures, she has helped thousands of children and teenagers with a wide range of issues, including anxiety, fears, confidence and self-esteem. In this interview, Lynda talks about how much more accessible a good narrator makes a book, why listening at the gym is the best, and the reason it’s so hard to record self-help audiobooks on getting a good night’s sleep.
Joanna Hershon, author of SWIMMING, THE OUTSIDE OF AUGUST, THE GERMAN BRIDE and, most recently, A DUAL INHERITANCE, knows a thing or two about the value of a good kids’ audiobook. The mother of two lively seven-year-old boys, Joanna often relies on the gentle magic of a spoken story to get them settled down.
Karin Slaughter, the New York Times and #1 internationally bestselling author of 13 thrillers, is no stranger to the thrill of a good audiobook. In this interview, she discusses the dangers of listening to a shocking story while running on a treadmill, how listening to Annie Proulx's ACCORDION CRIMES can turn even the most stubborn reader on to audiobooks, and the paradigm-shifting effect of ear crushes (which aren't as painful as they sound). Karin's latest thriller featuring detective Will Trent, UNSEEN, releases on July 2nd.
No buried secrets here: Joseph Finder is the New York Times bestselling author of many thrillers, including THE ZERO HOUR, HIGH CRIMES (made into a major motion picture starring Morgan Freeman and Ashley Judd), PARANOIA (the film adaptation with Liam Hemsworth, Gary Oldman and Harrison Ford is scheduled for release in August), COMPANY MAN (winner of the Barry and Gumshoe Awards for Best Thriller) and KILLER INSTINCT (recipient of the International Thriller Writers Award for Best Thriller). His most recent thriller, BURIED SECRETS, is a sequel to VANISHED, which introduced readers to private spy Nick Heller. In our latest audiobook blog post, Finder reveals his favorite audiobook, the danger of driving while listening, and the importance of keeping track of accents when recording your own books.
Rainbow Rowell, the author of ATTACHMENTS, FANGIRL and, most recently, ELEANOR & PARK, is no stranger to a good audiobook. From Grisham to Austen, Rainbow is an avid listener --- even if she's simultaneously cleaning her house. Here, she discusses the role that a good narrator plays in drawing listeners into the story in new ways, how hearing a difficult book can make it more accessible, and why her two young sons can't get enough audio-bedtime stories.