Aug 7, 2015
Ruth Ware’s bachelorette weekend was very tasteful, unlike the one in her thrilling debut, IN A DARK, DARK WOOD. When a friend she hasn’t seen or spoken to in years invites reclusive crime writer Nora to a weekend away in an eerie glass house deep in the English countryside, she reluctantly agrees to make the trip. Forty-eight hours later, she wakes up in a hospital bed injured but alive, with the knowledge that someone is dead. In this interview, Ware discusses drawing on memories of middle school to create the social dynamic of her characters, her fascination with unreliable narrators, and why we need to stop calling stories featuring violent women a “trend.” She also assures us that no one was murdered at her own bachelorette party, despite the startling vividness of the events described in her book.